Flash Photography: Capture Movement with Light
Course final project
A course by Phil Fisk , Photographer
About the final project for: Flash Photography: Capture Movement with Light
Flash Photography Fundamentals: Capture Movement with Light
“Congratulations! You have reached the end of this course. I hope you've enjoyed challenging the limits of reality through photography! Now, let's revise the necessary steps to complete your project:
- Before you begin capturing photos, sketch out a rough composition and use this to decide the size and style of fabric you will use. Will you require a table? Or any other props? This is the time to consider all the details and make sure you are well prepared.
- Choose a suitable area in your house to set up your photoshoot. If you have access to a studio, consider taking advantage of this wider space, as I did!. Make sure there is ample natural light.

- Now, think about the casting. If it's friends and family, then what about them will help you tell the story? Elicit and bring out their best features! Are they agile or adventurous? Old or young? With long hair or short hair. Think about how you can use their individuality to enhance your visual narrative. As you capture the photos, remember to also engage with your model. Pay attention to their expression and emotions. If they are not experienced, then make them comfortable and use your direction to get the most out of them. This is more than just a still life exercise; it involves humans as well!
- Once you begin the photoshoot, don't be too dazzled by your first attempts. Hold yourself accountable to your plan, check that you are maintaining the details, and think about how the elements are speaking to each other. If you have a creative spark, allow yourself to change direction a little and then compare the results afterwards. Was this diversion successful? Stay reflective!



Partial transcription of the video
“Final Project We've come to the end. Thank you so much for coming along on this course with me. I hope you've enjoyed it as much as I enjoyed creating it. Understanding your light is as important as being on set with your equipment, your team, and your model. All these working parts are integral to creating the image you envisaged. I hope that being on set with me has given you some valuable lessons that you can use again and again in your future projects. Don't be afraid to go out there and experiment. Lighting can seem intimidating if you don't truly understand it. Practice, practice, and...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Flash Photography: Capture Movement with Light
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Category
Photography & Video -
Areas
Digital Photography, Photographic Lighting, Photography, Portrait Photography, Studio Photography

Phil Fisk
A course by Phil Fisk
Phil Frisk is a photographer and filmmaker based in London with over 20 years of experience. He studied sociology and mass media at Goldsmiths, University of London, and originally wanted to be a writer before being introduced to photography. After discovering the joys of image making, he spent his time adding tones and doubling up negatives to create new realities in the dark room and, once he graduated, began working as a studio assistant to deepen his knowledge.
From there, Phil progressed into shooting portraits for magazines and marketing campaigns for companies like SKY TV, ITV, and the BBC. He has worked on titles including Intergalactic, Trip to Spain, and Lucky Man, and shot celebrities like Quentin Tarantino, Toby Jones, and Jamie Oliver. Phil has also won multiple AOP Awards for his work.
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