Introduction to Screenwriting for Film
Narrative elements: point of view, temporality and space
A course by Daniel Monedero , Screenwriter and Author
About the video: Narrative elements: point of view, temporality and space
Overview
“In this lesson I will reflect on the point of view and on the notion of time and space in which we want our story to take place.”
In this video lesson Daniel Monedero addresses the topic: Narrative elements: point of view, temporality and space, which is part of the Domestika online course: Introduction to Screenwriting for Film. Learn to write a professional screenplay for your next movie project, from the initial idea to its synopsis and characters.
Partial transcription of the video
“Narrative elements: point of view, temporality and space In this lesson we will talk about different narrative elements: the point of view and the notions of temporality and space in our history. The different narrative elements will be tools that will help us better tell our story. The first is point of view. that is, who is telling us the story. The first of these narrators would be the invisible narrator, surely one of the most common in cinema. Who tells us the story is the camera. It is the most common point of view in most movies. There is no voiceover or character that tells us the s...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Screenwriting for Film
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Category
Writing -
Areas
Film, Video & TV, Script, Writing
Daniel Monedero
A course by Daniel Monedero
Daniel Monedero began his career working on some of the most successful and long-running TV shows in Spain, such as Siete Vidas and Aída. Since then, he has also collaborated as a freelance screenwriter on other series, including Buscando el Norte and Pequeñas Coincidencias, and has written screenplays for films such as Perdiendo el Este and La pequeña Suiza. His most recent film, A mil kilómetros de la Navidad, was released in over 50 countries on Netflix in 2021, ranking among the top five most-watched movies on the platform globally that same year.
In addition to his screenplays, Daniel has written short story collections like Manual de jardinería (para gente sin jardín) and Volar a casa, and has published more than a dozen children's books, some of which, most notably Hipólito el Hipnotizador, have also been published in Mexico. When he's not writing, he shares his knowledge and expertise by teaching narrative and screenwriting workshops.
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- 15 lessons (2h 29m)
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- Level: Beginner
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