Introduction to Storyboarding for Animated Films
Into the Depth 1
A course by Petra Popescu , Storyboard Artist
About the video: Into the Depth 1
Overview
“In this lesson, I'll explain how I create depth in my storyboards. First, let's look at composition and perspective.”
In this video lesson Petra Popescu addresses the topic: Into the Depth 1, which is part of the Domestika online course: Introduction to Storyboarding for Animated Films. Learn to visually interpret a script and capture the emotions of the plot and characters with your drawings.
Partial transcription of the video
“In our last session. we covered thumbnail creation and a basic overview of Toon Boom Storyboard Pro. Today. we're ready to dive into creating a rough storyboard. Over the next few lessons. i'll detail key storyboarding elements to enhance your understanding. In Lesson 1. focus on mastering composition and perspective. When I mention perspective. many artists feel uneasy. It's a challenging topic that many find difficult. myself included. I struggled with it for a long time. When I began storyboarding. i realized how crucial mastering perspective was to my work. I delayed drawing backgrounds...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Storyboarding for Animated Films
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Category
3D & Animation, Illustration -
Areas
Animated Illustration, Animation, Character Animation, Digital Illustration, Drawing, Figure Drawing, Motion Graphics, Storyboard, Traditional illustration
Petra Popescu
A course by Petra Popescu
Petra Popescu lives in Germany and works as a freelance storyboard artist in the animation industry. After graduating with a degree in graphic design, she found her calling during the first few projects she worked on as a prop and character designer and director's assistant. She started exploring the world of black-and-white Japanese comics at a young age thanks to anime series Dragon Ball, sparking her life-long fascination with the expressive power of a few simple lines and shading.
The current aim of her art is to elicit intense emotions from her audience using minimal resources. Her work ranges from film projects and video game cinematics to US and German children's shows, as well as movies and series for Netflix.
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- 18 lessons (3h 46m)
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