Introduction to Storyboarding for Animated Films
Analyzing the Script
A course by Petra Popescu , Storyboard Artist
About the video: Analyzing the Script
Overview
“In this lesson, I'll show you how I go through the script to figure out what the scene is about. From what point of view is the scene told? Who is the main character? What are the emotions and what is the conflict?”
In this video lesson Petra Popescu addresses the topic: Analyzing the Script, which is part of the Domestika online course: Introduction to Storyboarding for Animated Films. Learn to visually interpret a script and capture the emotions of the plot and characters with your drawings.
Partial transcription of the video
“After the theoretical introduction to film and storyboarding. we now move on to the practical part to our knowledge. Imagine it's your first day on an animated production. You receive a huge folder filled with loads of information. visual information. content. and technical details. And in this massive pile of info? You'll also find the script. which is what this lesson will focus on. For this Domestika course. i've written us a short scene to work with. You’ll find a downloadable script. characters. and a set design attached. It's essential to read the script thoroughly. ideally two or thr...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Storyboarding for Animated Films
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Category
3D & Animation, Illustration -
Areas
Animated Illustration, Animation, Character Animation, Digital Illustration, Drawing, Figure Drawing, Motion Graphics, Storyboard, Traditional illustration

Petra Popescu
A course by Petra Popescu
Petra Popescu lives in Germany and works as a freelance storyboard artist in the animation industry. After graduating with a degree in graphic design, she found her calling during the first few projects she worked on as a prop and character designer and director's assistant. She started exploring the world of black-and-white Japanese comics at a young age thanks to anime series Dragon Ball, sparking her life-long fascination with the expressive power of a few simple lines and shading.
The current aim of her art is to elicit intense emotions from her audience using minimal resources. Her work ranges from film projects and video game cinematics to US and German children's shows, as well as movies and series for Netflix.
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