Introduction to Storyboarding for Animated Films
Film Editing
A course by Petra Popescu , Storyboard Artist
About the video: Film Editing
Overview
“This lesson continues with the topic of film editing. I'm going to show you some basics like the Kuleshov effect and rhythm.”
In this video lesson Petra Popescu addresses the topic: Film Editing, which is part of the Domestika online course: Introduction to Storyboarding for Animated Films. Learn to visually interpret a script and capture the emotions of the plot and characters with your drawings.
Partial transcription of the video
“In this lesson. we will look at film editing. We will see what the film cut means and what it can do for a film. Additionally. i'll give you some practical tips. such as the 180-degree rule and what to watch out for when editing to make your cuts work better. When I used to think about film editing. i only thought about the timing aspect. I did an internship at WDR in editing and watched Katharin as she spent weeks and days adjusting the images a few She moved frames forwards and backwards for hours. Getting the timing right is an art. but it’s only one aspect of film editing. And I would l...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Storyboarding for Animated Films
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Category
3D & Animation, Illustration -
Areas
Animated Illustration, Animation, Character Animation, Digital Illustration, Drawing, Figure Drawing, Motion Graphics, Storyboard, Traditional illustration
Petra Popescu
A course by Petra Popescu
Petra Popescu lives in Germany and works as a freelance storyboard artist in the animation industry. After graduating with a degree in graphic design, she found her calling during the first few projects she worked on as a prop and character designer and director's assistant. She started exploring the world of black-and-white Japanese comics at a young age thanks to anime series Dragon Ball, sparking her life-long fascination with the expressive power of a few simple lines and shading.
The current aim of her art is to elicit intense emotions from her audience using minimal resources. Her work ranges from film projects and video game cinematics to US and German children's shows, as well as movies and series for Netflix.
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