Visual Effects for Cinema in NukeX

Additional elements and background balance DMP 3

A course by Victor Manuel Enriquez Diaz , Digital composer

100% positive reviews (5)

611 students

Audio: Spanish, English

· · · · · · ·

About the video: Additional elements and background balance DMP 3

Overview

“I continue to show you websites where you can find amazing elements that you can use in your projects.”

In this video lesson Victor Manuel Enriquez Diaz addresses the topic: Additional elements and background balance DMP 3, which is part of the Domestika online course: Visual Effects for Cinema in NukeX. In this course you will learn how to create scenes with visual effects in NukeX to achieve a cinematic quality..

Partial transcription of the video

“Another one that I want to show you is FootageCrate. FootageCrate, unlike the previous ones, does not It only has images as such or material, let's say as elements, they also get involved in selling models, in selling motion graphics and in selling music and sound effects. They offer you the whole package when it comes to making a production. For an independent production I think they are a very good option because they give you the whole package, that is, they offer you all Items you need for a project. If you wanted to do a sci-fi project where you need a spaceship and you need maybe the ...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Visual Effects for Cinema in NukeX

Level: Intermediate
100% positive reviews (5)
611 students
4 units
47 lessons (11h 53m)
7 downloads

Category
3D & Animation, Photography & Video
Software
DaVinci Resolve, Nuke
Areas
Photo Retouching, Photography Post-production, VFX

Victor Manuel Enriquez Diaz

A course by Victor Manuel Enriquez Diaz

Teacher Plus

Digital composer

Víctor Enriquez is a digital compositor with over 10 years of experience in VFX for film and animation. He has worked at renowned studios such as Outpost VFX and Framestore, contributing to projects like 'Ghost in the Shell', 'His Dark Materials', and 'Fantastic Beasts'. His focus has always been on the seamless integration of real and digital elements, aiming to achieve the highest standards of visual quality. He has collaborated on high-impact productions and is a leader in applying advanced VFX techniques.