Visual Effects for Cinema in NukeX

Additional elements and background balance DMP 1

A course by Victor Manuel Enriquez Diaz , Digital composer

100% positive reviews (5)

611 students

Audio: Spanish, English

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About the video: Additional elements and background balance DMP 1

Overview

“Now that your matte paint is created, we are going to add different elements and animate others to give more life to our background. ”

In this video lesson Victor Manuel Enriquez Diaz addresses the topic: Additional elements and background balance DMP 1, which is part of the Domestika online course: Visual Effects for Cinema in NukeX. In this course you will learn how to create scenes with visual effects in NukeX to achieve a cinematic quality..

Partial transcription of the video

“Since we have our fund created, The next step will be to give it a little more life using animation and adding additional elements. Then we will perform color correction to give it more depth and highlight important details. Let's get started. Now we have our fund set up, We already have all our elements standing, We are now ready to start creating the background. We now have all our elements in place, They are already well balanced in color, But what are we going to do to make them go from being just a static image to starting to have life? How can we use the tools within Nuke to take our ...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Visual Effects for Cinema in NukeX

Level: Intermediate
100% positive reviews (5)
611 students
4 units
47 lessons (11h 53m)
7 downloads

Category
3D & Animation, Photography & Video
Software
DaVinci Resolve, Nuke
Areas
Photo Retouching, Photography Post-production, VFX

Victor Manuel Enriquez Diaz

A course by Victor Manuel Enriquez Diaz

Teacher Plus

Digital composer

Víctor Enriquez is a digital compositor with over 10 years of experience in VFX for film and animation. He has worked at renowned studios such as Outpost VFX and Framestore, contributing to projects like 'Ghost in the Shell', 'His Dark Materials', and 'Fantastic Beasts'. His focus has always been on the seamless integration of real and digital elements, aiming to achieve the highest standards of visual quality. He has collaborated on high-impact productions and is a leader in applying advanced VFX techniques.