Visual Effects for Cinema in NukeX

Color spaces and ACES 2 system

A course by Victor Manuel Enriquez Diaz , Digital composer

100% positive reviews (5)

611 students

Audio: Spanish, English

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About the video: Color spaces and ACES 2 system

Overview

“Now you are going to see several examples of very complicated situations that I faced in color correction.”

In this video lesson Victor Manuel Enriquez Diaz addresses the topic: Color spaces and ACES 2 system, which is part of the Domestika online course: Visual Effects for Cinema in NukeX. In this course you will learn how to create scenes with visual effects in NukeX to achieve a cinematic quality..

Partial transcription of the video

“I want to show you two examples of projects in which I was where color correction and in Particularly the color management of the project was a nightmare. First we have Bloodshot, Bloodshot has this very cool scene where they're in a tunnel and everything is red, It's covered in flour and apparently some paint needs to be done, but it's not something that soldiers throw everywhere, then everything looks red, and we only have the lights white from the cars in some parts. The problem for us in VFX was that everything, We saw absolutely everything in red and sometimes it was very complicated h...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Visual Effects for Cinema in NukeX

Level: Intermediate
100% positive reviews (5)
611 students
4 units
47 lessons (11h 53m)
7 downloads

Category
3D & Animation, Photography & Video
Software
DaVinci Resolve, Nuke
Areas
Photo Retouching, Photography Post-production, VFX

Victor Manuel Enriquez Diaz

A course by Victor Manuel Enriquez Diaz

Teacher Plus

Digital composer

Víctor Enriquez is a digital compositor with over 10 years of experience in VFX for film and animation. He has worked at renowned studios such as Outpost VFX and Framestore, contributing to projects like 'Ghost in the Shell', 'His Dark Materials', and 'Fantastic Beasts'. His focus has always been on the seamless integration of real and digital elements, aiming to achieve the highest standards of visual quality. He has collaborated on high-impact productions and is a leader in applying advanced VFX techniques.