Create Lo-Fi Beats with Ableton Live and Push
Sequencing Your Beat
A course by JNTHN STEIN , Musician and Composer
About the video: Sequencing Your Beat
Overview
“In this lesson, you’ll learn how to sequence your beat ingredients in "Session View".”
In this video lesson JNTHN STEIN addresses the topic: Sequencing Your Beat, which is part of the Domestika online course: Create Lo-Fi Beats with Ableton Live and Push. Build, arrange and edit a chilled, lo-fi beat that combines the key elements of musical composition.
Partial transcription of the video
“Sequencing Your Beat In this lesson, I'll talk about sequencing our four ingredients, bass, drums, chords, texture, and making sounds come in and out in Session view. Let's see what we got. First, I'll hit Session to switch from Note view, which we were using to play and perform our sounds to go to Session view to get a big picture look at our beat here. Each of these squares represents one of the clips we composed for our drums, chords, bass and texture. I'll push Play. Now, like how we hit Record at the beginning and end of a loop, I could do the same thing below each of these squares to ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Create Lo-Fi Beats with Ableton Live and Push
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Category
Music & Audio -
Software
Ableton Live -
Areas
Music, Music Production

JNTHN STEIN
A course by JNTHN STEIN
Charles Jacques, also known as JNTHN STEIN, is a Los Angeles-based musician from Oakland, California. Growing up, he was influenced by his artistic parents as well as the culturally diverse hip-hop scene he was surrounded by and has used music as a creative outlet since his teens.
Charles sees music as a lifestyle, not just a career, and, as a songwriter, recording artist, and producer, he’s released hundreds of songs on platforms such as Spotify, Apple Music, Soundcloud, and Bandcamp. His music has been streamed millions of times across the world and, alongside creating music of his own, Charles teaches others how to do the same.
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