Vector Pattern Creation and Commercialization
How to build an image from a concept
A course by Laura Varsky , Designer and illustrator
About the video: How to build an image from a concept
Overview
“From a graphic design project for crockery we will analyze the 3 phases of construction of an image: trigger or concept, analysis of references and creation of graphic language.”
In this video lesson Laura Varsky addresses the topic: How to build an image from a concept, which is part of the Domestika online course: Vector Pattern Creation and Commercialization. Learn to create repeating patterns and graphic systems to apply to all types of surfaces.
Partial transcription of the video
“In this unit we are going to see how, based on a concept And then get to the paper as I told you I come from the design that causes deformation Have a projectual idea that thinks about the illustration in a projectual way that It means that first I have to have a concept to work on. To understand it a little better, what I'm going to do is show you very briefly the process of a job in Particularly so you can see how I developed it This was a commission for a brand called Amazonica that makes designer tableware and that has three fundamental concepts On the one hand, they work with Argentine...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Vector Pattern Creation and Commercialization
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Category
Illustration, Marketing & Business -
Areas
Business, Fashion Design, Pattern Design, Printing, Traditional illustration
Laura Varsky
A course by Laura Varsky
Although Laura Varsky graduated as a graphic designer at the University of Buenos Aires, her interest in the development of different graphic languages and the search for her own one have brought her closer to the world of illustration, a field in which she has achieved several distinctions.
She has participated in several artistic and commercial projects, specializing in the design of albums and books. In 2006 she was awarded the Latin Grammy Award as Art Director, an award for which she was also nominated in 2014 and 2015. She has also worked in the licensing field for both local and international brands.
For more than 10 years she has been a teacher in the subject of Typography at the University of Buenos Aires and has published two typographic families based on her lettering work: Lady René and Lady Dodó, together with the Sudtipos foundry.
She is the author and co-author of several illustrated books and her work is part of the permanent design collection of the Museum of Modern Art of Buenos Aires. Currently, she gives lectures and workshops in various countries.
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