Artistic Watercolor Techniques for Illustrating Birds
Painting Birds 2
A course by Sarah Stokes , Artist
About the video: Painting Birds 2
Overview
“Let's finish off our little group of birds!”
In this video lesson Sarah Stokes addresses the topic: Painting Birds 2, which is part of the Domestika online course: Artistic Watercolor Techniques for Illustrating Birds. Bring vivid wildlife compositions to life by exploring modern methods of watercolor painting.
Partial transcription of the video
“Now it still doesn't look much like an eye at the moment and it won't until the black goes in. But again, I need to wait for it to dry because if I put the black in now, it'll just go all over the brown and the blue. Well, particularly the brown because the brown's really wet. While I'm waiting for that to dry, I'm going to look at this area here that isn't right. compared to this area. You can see here, I've got a lot of dark orange, but actually here it's kind of quite green So I'm going to lift some of this dark orange off. And I didn't notice this when it was the right way around. It's ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Artistic Watercolor Techniques for Illustrating Birds
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Category
Illustration -
Areas
Naturalistic Illustration, Realistic Drawing, Traditional illustration, Watercolor Painting
Sarah Stokes
A course by Sarah Stokes
Sarah Stokes is a self-taught artist from the Midlands region in England, a place where she finds inspiration and creates work that is full of life. From a young age, Sarah has always been her happiest when painting and drawing, using her creativity to build a successful business career before deciding to return to what she loved most.
She has created artwork for bands, restaurants, breweries, and schools, as well as giftware for clients like Enesco. Her work is exhibited in Whitewall Galleries, Clarendon Fine Art, and several independent galleries. Sarah’s prints can also be found worldwide in places like Next, Wayfair, and on Amazon.
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