Introduction to Fashion Design
Sketches 2
A course by Lupe Gajardo , Fashion Designer
About the video: Sketches 2
Overview
“Remember that taking into account the front and back view will be very important, this will help you to have a better overview of your design. I will teach you what are the fundamental lines to which you should pay more attention to generate a balance in your garment.”
In this video lesson Lupe Gajardo addresses the topic: Sketches 2, which is part of the Domestika online course: Introduction to Fashion Design. Discover the creative process to design a capsule or limited edition collection in your own style.
Partial transcription of the video
“The sketches The sketch I'm currently working on, which is closer to the definitive garment, or could be one of the definitive ones, it's important to always think of them at the front and back. We need to remember that the medium that we use, in general, is the body and it's three dimensional. So, the more specific or more detailed my design is, so too should my expressive sketch be. So, if I have something very important on the side of my garment or my design or idea, I'll need to draw it on paper or a detail on the side, or a simple line that refers to what will happen to that part of th...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Fashion Design
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Category
Fashion -
Areas
Fashion Design

Lupe Gajardo
A course by Lupe Gajardo
Chilean native Guadalupe Gajardo, better known as Lupe, has always had an interest in crafts and creating clothes. She graduated as a Fashion Designer in Instituto Incacea in Viña del Mar, Chile and worked with renowned designer Miguel Ángel Guzmán, before creating her own brand in 2009, Lupe Gajardo.
For Lupe, fashion goes further than just the garments; it’s a unique form of expression. She has taken part in some of the most important catwalks across the world, including in New York, London, and Berlin. Her brand has been highlighted by WGSN as a brand to follow.
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