Expressive Techniques for Character Animation
Presentation
A course by Memé Candia , Graphic Designer and Animator
About the video: Presentation
Overview
“First, I would like to introduce myself and tell you a little about my training and professional experience in the world of 2D animation. ”
In this video lesson Memé Candia addresses the topic: Presentation, which is part of the Domestika online course: Expressive Techniques for Character Animation. Turn your characters into actors packed with emotion and create animated scenes full of life.
Partial transcription of the video
“Hi. i'm Meme Candia. an animator. Welcome to this course on animated character acting. Let's get started! First. i'd like to introduce myself and tell you a bit about my training in traditional animation. Since I was a child. i've always been interested in cartoons. I've always been impressed by how great animation artists manage to convey such genuine emotions through their characters. just like those of a human being. I'm from Mendoza. and at the time. there were no university programs focused on animation. I pursued a degree in graphic design. While it wasn't my ultimate passion. it equi...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Expressive Techniques for Character Animation
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Category
3D & Animation, Illustration -
Areas
Animation, Character Animation, Character Design, Digital Drawing

Memé Candia
A course by Memé Candia
Memé Candia is a graphic designer and professional 2D character animator from Mendoza, Argentina. Her first experience with animation was at Vlexus studio, where she produced content for television before ultimately deciding to dedicate herself to it full time.
Throughout her journey as a freelancer and collaborator with several advertising studios, she's had the opportunity to work on campaigns for brands like Disney XD, Cartoon Network, Coca-Cola, Uber, and Nike. She currently works alongside her friends and colleagues in her own animation studio, Bonkers Animation.
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