Illustration of Storyboards for Cinema and Advertising
We draw the storyboard III
A course by Pablo Buratti , Illustrator, Storyboard Artist, and Concept Artist
Joined September 2010
Joined September 2010
About the video: We draw the storyboard III
Overview
“Third part of the lesson.”
In this video lesson Pablo Buratti addresses the topic: We draw the storyboard III, which is part of the Domestika online course: Illustration of Storyboards for Cinema and Advertising. Learn to visually interpret a film script.
Partial transcription of the video
“We have completed all the panels. including the hunter's subjective shot where he observes the group his rifle's telescopic sight. Next. we'll take the hunter’s close-up frame and reframe it into a tighter shot. ensuring it aligns with the overall visual narrative. To achieve a lateral tracking shot leading to the next panel. we'll move to the frame's end. marking it with a simple graphic reference. known as the echo trick. ensuring continuity in the visual narrative. We’ve got it now. Reusing shots throughout a feature film is common. and we shouldn't be self-conscious it. This is also why...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Illustration of Storyboards for Cinema and Advertising
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Category
Illustration, Photography & Video -
Areas
Advertising, Drawing, Film, Film, Video & TV, Script, Storyboard, Storytelling
Pablo Buratti
A course by Pablo Buratti
Pablo Buratti was born in Argentina in 1975. As an illustrator, he has worked in a variety of fields, specializing in the audiovisual sector as a storyboard and concept artist.
"I feel privileged to have been able to combine two of my great passions in my career: drawing, which has been with me since childhood, and cinema, which burst onto the scene some time later and has remained ever since."
He completed his studies in filmmaking and audiovisual production in Argentina, which is where he began his professional career. In 2001, he relocated to Madrid and has been involved in over 20 film projects since then, working alongside filmmakers such as Pedro Almodóvar, Álex de la Iglesia, J.A. Bayona, Daniel Calparsoro, and Manuel G. Pereira, among others.
He also spent almost a year in China co-storyboarding an international production that premiered in 2018.
Aside from film projects, advertising makes up a large part of his work, and he collaborates with production companies and advertising agencies in Europe, Asia, North America, and South America.
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