Illustration of Storyboards for Cinema and Advertising
The Storyboard, the Shooting board and the Animatic II
A course by Pablo Buratti , Illustrator, Storyboard Artist, and Concept Artist
Joined September 2010
About the video: The Storyboard, the Shooting board and the Animatic II
Overview
“Second part of the lesson.”
In this video lesson Pablo Buratti addresses the topic: The Storyboard, the Shooting board and the Animatic II, which is part of the Domestika online course: Illustration of Storyboards for Cinema and Advertising. Learn to visually interpret a film script.
Partial transcription of the video
“♪ Music ♪ We return to this agency story of... phone, and we look for our work as shooting artists for the production company. We see how... the vignettes are much more than those that were raised in the story. The story, as we had said, it is simply represented situations that have to happen at most in a couple of shots, in a couple of images. They don't need more than that amount to count each situation. While our work as shooting artists together with the director is give the commercial a dynamic visual from camera movements, aesthetics, that the director wants to capture in it. Therefor...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Illustration of Storyboards for Cinema and Advertising
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Category
Illustration, Photography & Video -
Areas
Advertising, Drawing, Film, Film, Video & TV, Script, Storyboard, Storytelling

Pablo Buratti
A course by Pablo Buratti
Pablo Buratti was born in Argentina in 1975. As an illustrator, he has worked in a variety of fields, specializing in the audiovisual sector as a storyboard and concept artist.
"I feel privileged to have been able to combine two of my great passions in my career: drawing, which has been with me since childhood, and cinema, which burst onto the scene some time later and has remained ever since."
He completed his studies in filmmaking and audiovisual production in Argentina, which is where he began his professional career. In 2001, he relocated to Madrid and has been involved in over 20 film projects since then, working alongside filmmakers such as Pedro Almodóvar, Álex de la Iglesia, J.A. Bayona, Daniel Calparsoro, and Manuel G. Pereira, among others.
He also spent almost a year in China co-storyboarding an international production that premiered in 2018.
Aside from film projects, advertising makes up a large part of his work, and he collaborates with production companies and advertising agencies in Europe, Asia, North America, and South America.
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