Illustration of Storyboards for Cinema and Advertising
The work process: Cinema I
A course by Pablo Buratti , Illustrator, Storyboard Artist, and Concept Artist
Joined September 2010
About the video: The work process: Cinema I
Overview
“Here we will talk about the first contact with the script, the visual references, and interpreting what the Director needs. ”
In this video lesson Pablo Buratti addresses the topic: The work process: Cinema I, which is part of the Domestika online course: Illustration of Storyboards for Cinema and Advertising. Learn to visually interpret a film script.
Partial transcription of the video
“Hello again. Now we are going to talk about the work process in cinema. We will see how the graphic the information we have. is not much different from what we had in the advertising lesson. meaning the reference material is quite similar. It will depend somewhat on how early or late we join a project's pre-production phase. as this timing will dictate whether we receive more detailed or less detailed graphic information initially. Nonetheless. in scenarios. our initial interaction with the project starts with reviewing the script. The process starts with the written script. after which we ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Illustration of Storyboards for Cinema and Advertising
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Category
Illustration, Photography & Video -
Areas
Advertising, Drawing, Film, Film, Video & TV, Script, Storyboard, Storytelling

Pablo Buratti
A course by Pablo Buratti
Pablo Buratti was born in Argentina in 1975. As an illustrator, he has worked in a variety of fields, specializing in the audiovisual sector as a storyboard and concept artist.
"I feel privileged to have been able to combine two of my great passions in my career: drawing, which has been with me since childhood, and cinema, which burst onto the scene some time later and has remained ever since."
He completed his studies in filmmaking and audiovisual production in Argentina, which is where he began his professional career. In 2001, he relocated to Madrid and has been involved in over 20 film projects since then, working alongside filmmakers such as Pedro Almodóvar, Álex de la Iglesia, J.A. Bayona, Daniel Calparsoro, and Manuel G. Pereira, among others.
He also spent almost a year in China co-storyboarding an international production that premiered in 2018.
Aside from film projects, advertising makes up a large part of his work, and he collaborates with production companies and advertising agencies in Europe, Asia, North America, and South America.
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