3D Typography: Playing with Color and Volume
Introduction to Redshift
A course by Thomas Burden , 3D Illustrator
About the video: Introduction to Redshift
Overview
“Here you have a brief overview of the main features of this renderer.”
In this video lesson Thomas Burden addresses the topic: Introduction to Redshift, which is part of the Domestika online course: 3D Typography: Playing with Color and Volume. Learn how to create surreal typographical animations using Cinema 4D and Redshift.
Partial transcription of the video
“Additional resources: Introduction to Redshift Now we've got all this sketched up, before we start any further, just thought we'd do a quick intro into Redshift. So, if you are already familiar with Redshift, then feel free to skip this lesson. And also, if you're wanting to use another render as well, you can follow along with the tutorial but we'll be rendering this in Redshift, but a lot of the modelling techniques, as I said, will be applicable anyway. So you can render this in whatever you'd like, but if you are new to Redshift and you're thinking of getting it, then I still wanna give...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: 3D Typography: Playing with Color and Volume
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Category
3D & Animation, Calligraphy & Typography -
Software
Cinema 4D, Redshift Render -
Areas
3D, 3D Animation, 3D Design, Animation, Digital Design, Typography

Thomas Burden
A course by Thomas Burden
Thomas Burden is a 3D illustrator from Chichester, UK. He is best known for his unique visual style blending 3D type and contraptions, an aesthetic influenced by the toys he was never allowed to have as a kid.
Thomas studied Graphic Design at Camberwell College of Arts in London before working for top illustration studios like McFaul and I Love Dust. In 2013, he made the jump to freelance work, producing ad campaigns and other projects for brands, music festivals, record labels, and editorials. His client list includes McDonald’s, Netflix, Nickelodeon, Playstation, SC Johnson, Bloomingdale’s, The Guardian, The Washington Post, The New Yorker, Harpers Collins, and more.
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