3D Typography: Playing with Color and Volume

Using Redshift AOV Manager

A course by Thomas Burden , 3D Illustrator

99% positive reviews (74)

1,961 students

Audio: English

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About the video: Using Redshift AOV Manager

Overview

“In this lesson, we will learn how to use the Redshift AOV Manager and go through setting up our different AOVs to make it a lot easier to composite and adjust our final image in Adobe Photoshop after rendering.”

In this video lesson Thomas Burden addresses the topic: Using Redshift AOV Manager, which is part of the Domestika online course: 3D Typography: Playing with Color and Volume. Learn how to create surreal typographical animations using Cinema 4D and Redshift.

Partial transcription of the video

“Using Redshift AOV Manager In this lesson we'll set up our AOVs, so it's easier to composite and adjust our image in Photoshop after rendering. Let's get started. Now I've got everything done pretty much, it's time to just finalise these render settings and make sure we can get stuff as crisp and clean as possible, and we'll also set up our AOVs as well, so it's going to make it easier to edit this all in Photoshop. So we'll start with the AOVs. So first we'll just minimise our Redshift RenderView. And now we can start adding some AOVs to this. So the first thing we want to do is in our Ren...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: 3D Typography: Playing with Color and Volume

Level: Beginner
99% positive reviews (74)
1961 students
5 units
29 lessons (5h 28m)

Category
3D & Animation, Calligraphy & Typography
Software
Cinema 4D, Redshift Render
Areas
3D, 3D Animation, 3D Design, Animation, Digital Design, Typography

Thomas Burden

A course by Thomas Burden

Teacher Plus

3D Illustrator

Thomas Burden is a 3D illustrator from Chichester, UK. He is best known for his unique visual style blending 3D type and contraptions, an aesthetic influenced by the toys he was never allowed to have as a kid.

Thomas studied Graphic Design at Camberwell College of Arts in London before working for top illustration studios like McFaul and I Love Dust. In 2013, he made the jump to freelance work, producing ad campaigns and other projects for brands, music festivals, record labels, and editorials. His client list includes McDonald’s, Netflix, Nickelodeon, Playstation, SC Johnson, Bloomingdale’s, The Guardian, The Washington Post, The New Yorker, Harpers Collins, and more.