Ellie Mawby

My practice revolves around the crossing of cultures and combining drawings with a strong influence from traditional Japanese art. With the use of Indian ink, fine liners, marker pens, graphite pencil, wax crayons and watercolours, my art floats between the intimacy of the process of drawing — intricate, delicate, working close to the surface — and the distance of foreign influence. The compelling element of understanding Japan, and its significant differences of culture, combined with the West creates this cross-pollination of countries. The experience of being in foreign place is a euphoric experience and gives a heightened awareness of senses. 

The absence of colour within my work is stem from the elegance and simplicity of the colour black along with it’s association with magic; loaded with symbolism, power and mysticism. Black offers varying tones and depths within my artwork and gives volume to the otherwise quiet and sensitive drawings that I produce. In contrast, white is also an important element to my work, as I vary between white ink on black or black ink on white, utilising the concept of blank space. In Japanese, the word ma is used to describe the pause and the space between two structural parts within an artwork. It is said that ma is not something that is created by compositional elements, instead it is the thing that takes place in the imagination of the human who experiences these elements.