I have made a rule that I will only reply and comment on the music of the people who follow the instructions of sending me one section as a "proposal", instead of the whole film. But I have to say I was taken in by your abstract musical sound design and sound world you created. great work. it's a different proposal to mine, and I like it.
well done. maybe it needs to be more subtle, or stripped back, but its interesting.
sometimes you might move the cues a little later, (like I say to a lot of people) so you dont hit the hit points on the nose, but in general its interesting work. eg, when she gets dressed. allow the film to breathe. its placement stuff. move things backwards. eg on the second visit too.
I also wouldn't put anything on the first visit. or something extremely subtle. hold back for later. the film is nicely tense on its own.
also maybe tuck it back in the mix sometimes, will be more powerful as unconscious stuff...
also the final cue, on the phone, could start later. it also could be more intense, and go into some kind of credits music.
otherwise, nice work. it would be a good starting point to work with a director to get a final proposal together
1 comment
simon_smith
Teacher PlusI have made a rule that I will only reply and comment on the music of the people who follow the instructions of sending me one section as a "proposal", instead of the whole film. But I have to say I was taken in by your abstract musical sound design and sound world you created. great work. it's a different proposal to mine, and I like it.
well done. maybe it needs to be more subtle, or stripped back, but its interesting.
sometimes you might move the cues a little later, (like I say to a lot of people) so you dont hit the hit points on the nose, but in general its interesting work. eg, when she gets dressed. allow the film to breathe. its placement stuff. move things backwards. eg on the second visit too.
I also wouldn't put anything on the first visit. or something extremely subtle. hold back for later. the film is nicely tense on its own.
also maybe tuck it back in the mix sometimes, will be more powerful as unconscious stuff...
also the final cue, on the phone, could start later. it also could be more intense, and go into some kind of credits music.
otherwise, nice work. it would be a good starting point to work with a director to get a final proposal together
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