Sketchbook Creation: Find Your Own Language
Kind of paper
A course by Santiago Guevara , Illustrator and Painter
Joined May 2012
About the video: Kind of paper
Overview
“In relation to technique, papers react and receive different materials in very particular ways, so I do not consider that there is a fixed binary formula to relate technique and paper. These formulas are capable of being created and proposed again: there are as many as artists who use them. In my opinion, this depends on how we approach the materials and how we play experimenting with their characteristics, strengths and weaknesses. In this lesson, you will learn about the intuitive and playful relationship, essential when dealing with a material. ”
In this video lesson Santiago Guevara addresses the topic: Kind of paper, which is part of the Domestika online course: Sketchbook Creation: Find Your Own Language. Experiment and explore the possibilities of drawing something new every day.
Partial transcription of the video
“We have already discussed the format. which primarily concerns decisions regarding the notebook’s dimensions and paper size. Now it’s time to talk about the type of paper used inside the notebook. including its weight. what's inside that notebook. According to the technique. the type of paper interacts differently. and technique relate uniquely. Personally. i don't think there's a binary way to view this. meaning it's always open to debate and experimentation. This topic is always open to debate and experimentation. Various types of paper can be found in sketchbooks. such as those with pre-...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Sketchbook Creation: Find Your Own Language
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Category
Illustration -
Areas
Artistic Drawing, Colored Pencil Drawing, Creativity, Drawing, Fine Arts, Pencil Drawing, Sketchbook

Santiago Guevara
A course by Santiago Guevara
Illustrator Santiago Guevara graduated with a degree in graphic design from the Jorge Tadeo Lozano University in Bogotá, Colombia. He combines his work as a freelance illustrator–primarily for children's books and young adult literature–with a teaching position in the art department at the Pontifical Xavierian University.
He has collaborated with magazines, newspapers, publishing companies, and both national and international clients. To date, he has published and co-authored numerous books with a variety of writers and companies, including Corazón de león by Antonio Ungar, Los irlandeses by Jairo Buitrago, La gata sola by Carolina Sanín, Soy asesino y padre de familia by Fabio Rubiano, and Los 16 motivos del lobo by Amalia Moreno.
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