Ghost Light: Lighting Technique and Color Treatment
Revealed in raw and editing in Photoshop II
A course by Ibai Acevedo , Photographer
About the video: Revealed in raw and editing in Photoshop II
Overview
“Second part of the lesson.”
In this video lesson Ibai Acevedo addresses the topic: Revealed in raw and editing in Photoshop II, which is part of the Domestika online course: Ghost Light: Lighting Technique and Color Treatment. Learn to make portraits with creative lighting techniques.
Partial transcription of the video
“Okay, then we continue. In this case I was not interested create that forced contrast and what I have done is return it with the parameters of lowering the luminosity of the oranges, which in this case mainly affected the face. And leave it more... more like that, okay? So, for example, what else do we have here? Things that we could turn or that we could desaturate or that we could treat in a global way. You always have to understand the image and see the channels or the ways in which we influence in her. What does this mean? It means that if now I want to saturate the entire soil and all ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Ghost Light: Lighting Technique and Color Treatment
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Category
Photography & Video -
Software
Adobe Photoshop -
Areas
Photographic Lighting, Photography, Photography Post-production, Portrait Photography

Ibai Acevedo
A course by Ibai Acevedo
My name is Ibai Acevedo. I was born in Barcelona in 1984 and I am a photographer. The truth is that I would have loved to be able to say that at the age of eight they gave me my first camera, but no! At that time, I was playing with dolls in the bathtub.
In the time before photography and I met, I went on vacation in ordinary places, making friends and even becoming a graphic designer. All of that became history when there came a time when all I thought about was taking photos. However, saying "Something awoke within me" or "I felt a strong inner call" always sounds better.
To this day, like McGiver with the hardware store, I have found a language that saves me more than a thousand words for each image created. If you covered your eyes and forced me to choose among the thousand, I would surely say that I am pioneering a gimmicky style halfway between reality and fiction.
With a weakness for tones and textures that I patent, the ends justify the means. It doesn't matter whether you lie or tell the truth—the important thing is to convey something. Everything is easier than it seems, without poses, rehashes, or complicated tricks.
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