Audio Post-Production in Pro Tools

Setting up particular sound effects (part 2)

A course by Nadine Voullième Uteau , Sound Engineer

100% positive reviews (190)

4,541 students

Audio: Spanish

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About the video: Setting up particular sound effects (part 2)

Overview

“Second part of the lesson, in which I am showing you how to carry out the construction of particular sound effects, their expression and materiality; in addition to the necessary layers and sound sources.”

In this video lesson Nadine Voullième Uteau addresses the topic: Setting up particular sound effects (part 2), which is part of the Domestika online course: Audio Post-Production in Pro Tools. Learn to use sound as a narrative tool and create your own sound universe.

Partial transcription of the video

“Arming of particular sound effects So let's take a look at this. It's pretty. It is important to say that if he were with the window open, it would be necessary to insert a little atmosphere from the outside. I mean, or wind or sea or something that works, that gives that perception. Something that occurred to me that we could add to help the sound universe we are in it is a seagull, for example. Something that sounds distant. For example, that, let's see. To see this. It can also be. Let's try. A little to contextualize where we are. Here at the beginning is a good time to use it. So that ...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Audio Post-Production in Pro Tools

Level: Beginner
100% positive reviews (190)
4541 students
4 units
23 lessons (5h 13m)
6 downloads

Category
Music & Audio
Software
Avid Pro Tools, Pro Tools
Areas
Audio, Music Production, Sound Design

Nadine Voullième Uteau

A course by Nadine Voullième Uteau

Teacher Plus

Sound Engineer

Nadine has been a sound post-producer for 30 years. She works creating and editing soundtracks for film and television at Aural, a sound studio where she shares her work regularly. In addition, she teaches young filmmakers and digital animators.

She has participated in the sound and mixing of multiple Chilean and Latin American film projects such as La Telenovela Errante, a feature film by Raúl Ruiz; Caught in Japan, a documentary by Vivienne Barry, and Garage Olimpo by Marco Bequis, among others. Nadine specializes in recording, dubbing direction, and sound design. In 2017, she was named Featured Woman at the FEMCINE7 Women's Film Festival, for her career and contribution to the audiovisual medium.