From Pencil Drawing to Digital Illustration
Shadows and extra lights 1
A course by Dani Blázquez , Illustrator
About the video: Shadows and extra lights 1
Overview
“In this last lesson we will see how to finish our main figure by reinforcing those previous lights and shadows. We will add lights a little more "hard" and insist on the shadows with slightly darker tones. ”
In this video lesson Dani Blázquez addresses the topic: Shadows and extra lights 1, which is part of the Domestika online course: From Pencil Drawing to Digital Illustration. Create a radical illustration by combining analogue drawing with Photoshop effects.
Partial transcription of the video
“All right. We are in the last phase. Now let's add lights and extra shadows. To get as much contrast as possible. Let's see how to do it. Let's see how to apply what will be already ... our lights and final shadows. But first of all, I'm going to correct this eye. Because he has a white spot. Good. It's The first thing I'm seeing here, is that our image, has a rather dark tone. I'll clarify it, and do it as follows. To make it faster, I'm going to duplicate this layer; and place it above the drawing. There are different colors. What interests me is having a uniform mass of color. So I'm goi...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: From Pencil Drawing to Digital Illustration
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Category
Illustration -
Software
Adobe Photoshop -
Areas
Drawing, Pencil Drawing, Photography Post-production
Dani Blázquez
A course by Dani Blázquez
His story begins as that of 9 out of 10 cartoonists: stuck to pencils since childhood. However, there was a time when Dani Blázquez was doing tricks and gambetas to the illustration, as if trying to avoid an uncomfortable traveling companion who follows you to the destination station.
In 2009 he decided to resume the drawing and try to turn it into his profession. He went to Oviedo to study Illustration and in 2012 he began to receive his first assignments. His most iconic works are those that delve into the imaginary of his childhood and adolescence.
Usually starting from memories in the form of eighties graphics, advertising, posters and, ultimately, everything that has to do with the 89 and 90: posters of movies, music, aesthetics, colors ...
Dani Blázquez cites as influences a score of names that include, among others, Martin Ansin, Gabz, Drew Struzan, Jano, Richard Amsel, Ken Taylor, Gomez Quibus, Tomer Hanuka or Mucha. But then there are those who do not cite, those springing springly from their plates. Steven Spielberg, the teenage cinema of the 80s, the now retro futurism of Ridley Scott or James Cameron and other blockbusters of those glorious times. In his proposal everything is color, popcorn and Mirindas, a constant reminder in time happy and carefree.
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- Level: Intermediate
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