Introduction to Final Cut Pro X
Course 1 - First Steps: The Final Cut Pro X interface
By Giacomo Prestinari , Editor
About the video: The Final Cut Pro X interface
Overview
“We will know the different workspaces of Final Cut Pro X: browser, canvas, inspector and timeline. We begin to familiarize with the software and also with the digital assembly process. ”
In this video lesson Giacomo Prestinari addresses the topic: The Final Cut Pro X interface, which is part of the Domestika online course: Course 1 - First Steps. Get a basic introduction to Final Cut Pro X as a cutting and editing program.
Partial transcription of the video
“To start our journey in the world Final Cut Pro X, we begin to familiarize With the interface of this software. And let me explain the four main workspaces it has. Let's see them. This is how it is presented in Final Cut Pro X The first time we opened this program. As you can see, It has a fairly minimal interface and also a fairly simple appearance. What I want to explain to you, as the first contact with this software, they are the four main work areas through which we will have to pass all the times we want to ride Any type of video. The first work area is the Browser, which is this area...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Course 1 - First Steps
Giacomo Prestinari
By Giacomo Prestinari
Giacomo Prestinari holds a degree in film editing from the Milan City Film School, which led him to a job in television. Just two years later, he decided to change tack and enter the world of advertising, a field in which he’s now been telling stories through images for well over a decade.
He has worked in a range of different languages with hundreds of clients from across the globe, including Coca-Cola, Gucci, El Corte Inglés, Volkswagen, Samsung, Ikea, Toyota, Grundig, Nomad, Cinépolis, Armani, Vodafone, and Skoda, to name just a few. His most noteworthy piece is the 2014 Spanish Christmas Lottery campaign and winner of a Cannes Silver Lion award.
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