Forest Fantasy Illustration in Procreate & Photoshop

Final Line Edits 1: Adding Detail

A course by Natalie Andrewson , Illustrator

100% positive reviews (45)

3,131 students

Audio: English

· · · · · · ·

About the video: Final Line Edits 1: Adding Detail

Overview

“Now that the illustration is mostly done, you just need to make it shine! In this lesson, you will learn how to make sure your drawing is on track to be something you feel passionate about. ”

In this video lesson Natalie Andrewson addresses the topic: Final Line Edits 1: Adding Detail, which is part of the Domestika online course: Forest Fantasy Illustration in Procreate & Photoshop. Learn digital illustration techniques step by step to draw a magical forest scene with an inspiring character.

Partial transcription of the video

“In this lesson, we'll polish our line art and make some really important choices before we head into our final adjustments. Let's jump into our final line edits. So now that I have all of my colors blocked out, I've got my value structure pretty set up. I'm pretty happy with it. There are some things that I'm still working out, like how dark the top of this piece is. I'm not loving how it's kind of competing with my main character scene. And I want the back here to be more interesting. I also want the trees to be a lot more interesting. So I'm gonna go ahead and make a new layer, call it Li...”

This transcript is automatically generated, so it may contain mistakes.

Course summary for: Forest Fantasy Illustration in Procreate & Photoshop

Level: Beginner
100% positive reviews (45)
3131 students
4 units
19 lessons (3h 44m)
5 downloads

Category
Illustration
Software
Adobe Photoshop, Procreate
Areas
Children's Illustration, Digital Drawing, Digital Illustration

Natalie Andrewson

A course by Natalie Andrewson

Teacher Plus

Illustrator

Natalie Andrewson is an illustrator, comic artist and Risograph printmaker living in Los Angeles. She's worked on lots of different types of projects, from animation concept art to chapter book and magazine covers. In her spare time she makes fantasy-inspired Risograph prints and runs a Risograph Print Subscription where she sends out a new fantasy-adventure themed print each month.

She has collaborated with clients such as The New York Times, Muji, NPR, The Atlantic, First Second Books, Oculus, Simon & Schuster, Penguin Random House, NYU, Bento Box, Nickelodeon, Dreamworks and Disney.