Credit Titles: Typography and Cinema
The language of the credit titles
A course by José Luis Coyotl Mixcoatl , Graphic designer and Art Director
Joined October 2016
About the video: The language of the credit titles
Overview
“In this lesson, I will make some reflections on the language in the design of credits titles as a generator of graphic language in the cinema. We will see some references of credit design in the cinema, from its beginnings, to some more current ones. ”
In this video lesson José Luis Coyotl Mixcoatl addresses the topic: The language of the credit titles, which is part of the Domestika online course: Credit Titles: Typography and Cinema. Learn the theoretical bases and a methodology to design impressive initial titles.
Partial transcription of the video
“Now I am going to talk to you about the language of film credits. The role of the graphic designer today is no longer limited only to generate forms but it has also expanded in its own way to develop audiovisual language and it is very important especially in the middle of the cinema because it not only transmits information Which are important that come from production, but also, today, they generate a conceptual environment which supports the movie that is being designed. So, it is always important that we think in the work of making credit design, as credit designers how are we going to ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Credit Titles: Typography and Cinema
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Category
Calligraphy & Typography -
Software
Adobe After Effects, Adobe Illustrator, Adobe Photoshop -
Areas
Animation, Art Direction, Film, Video & TV, Typography

José Luis Coyotl Mixcoatl
A course by José Luis Coyotl Mixcoatl
José Luis Cóyotl is a Graphic Designer from the Benemérita Universidad Autónoma de Puebla (BUAP), Mexico. He has worked in design studios Prologue Films , with Kyle Cooper, in Los Angeles, California and in Hula + Hula and La Fe Ciega , in Mexico City.
He has devoted a large part of his professional life to teaching, as a design professor in different universities. Currently, he works independently as a designer and art director, mainly developing projects in Mexico and the United States.
He has been designing for print media, such as books and magazines, for more than 18 years; branding, motion design, illustration and design of typographic fonts, as well as custom type. He has also given conferences and workshops in Mexico and South America.
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