Urban Art: from Digital Illustration to Large Scale Murals
Composition for a mural (final sketch)
A course by Ceroker , Urban Artist and Graphic Designer
About the video: Composition for a mural (final sketch)
Overview
“In this lesson I will tell you the characteristics that a mural must have. Due to its scale we must take into account that visually, technically and spatially there are certain types of conditions to develop it. We will see how you can play with different types of compositions in Procreate, remember that you can do it in the program you use or similarly. ”
In this video lesson Ceroker addresses the topic: Composition for a mural (final sketch), which is part of the Domestika online course: Urban Art: from Digital Illustration to Large Scale Murals. Scale up your designs to large format illustrations with the spray paint technique.
Partial transcription of the video
“Unit 3 Composition for a mural In this lesson we will talk about how to compose a mural. In specific we will make the comparison Enter an illustration for a printed format and an illustration specifically designed for a mural. Things we should have very clear when thinking about an illustration for a mural. It is not the same to illustrate something digitally for a form, because when thinking about a mural, surely we will not do so many details. So that's why the characters I'm going to choose are few, and also the elements that I will choose. I simply chose three characters. The girl with ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Urban Art: from Digital Illustration to Large Scale Murals
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Category
Illustration -
Areas
Digital Illustration, Street Art, Traditional illustration
Ceroker
A course by Ceroker
Ceroker is a Colombian illustrator and urban artist who started painting at the age of 14. Having a defined social stance and studying graphic design led him to understand graffiti on another level. He became interested in typography and took advantage of everything he could learn to develop his style, until he decided to dedicate himself to what he loved most. Without finishing his degree, he began working in a studio as a graphic designer, collaborating on several projects creating logos and corporate images.
He went on to found the street art collective A Tres Manos Estudio. Today he is one of the most important representatives of Colombian Graffiti, where he stands out for his use of color, his characters, and the stories he tells in each of his murals.
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