Still Life Photography: Lighting and Composition
Postproduction in Photoshop 1
A course by MASSIMO BIANCHI , Still Life Photographer
About the video: Postproduction in Photoshop 1
Overview
“Now I will work in Photoshop on the selected shots. First, I'll show you how to import files. Then, for each shot, I'll merge the various photographs into one definitive image, trying to get the best parts of each one.”
In this video lesson MASSIMO BIANCHI addresses the topic: Postproduction in Photoshop 1, which is part of the Domestika online course: Still Life Photography: Lighting and Composition. Learn the fundamentals of still life photography to create a stunning three-photo series, from the set and props to post-production.
Partial transcription of the video
“Postproduction in Photoshop In this lesson we will work in Photoshop on the selected shots. For each shot, we'll merge the selections into one image. Next, we're going to blend the layers trying to take the best parts of everyone. You will follow me step by step only on one of the three setups, to better explain the post-production technique I use. The procedure will be similar for the other two shots as well. Let's begin. First, I show you how to import files starting from Photoshop applications. Files, Scripts, Bulk Upload Files. You will see this little popup to load levels. Browse, sele...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Still Life Photography: Lighting and Composition
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Category
Photography & Video -
Areas
Art Direction, Digital Photography, Photographic Composition, Photographic Lighting, Photography, Photography Post-production, Product Photography, Set Design

MASSIMO BIANCHI
A course by MASSIMO BIANCHI
Massimo Bianchi is a still life photographer specialized in beauty, fashion, and jewelry photography, who boasts collaborations with magazines such as Vogue Italia and Vanity Fair, as well as with brands including Dolce&Gabbana, Versace, Furla, and Bulgari.
After studying at the historic Riccardo Bauer institute in Milan, he began to make his way as an assistant photographer for interior design, advertising, fashion, and publishing. With the experience and security gained, he then set up his own studio.
Fascinated by the search for the sublime in nature, he describes himself as a "lover of the beautiful and the complicated." In fact, Massimo commits himself body and soul to any work challenge, while also having fun building props and sets by himself.
Still life photography is his preferred medium—a path he has chosen with awareness from the beginning due to the infinite possibilities of creation and research offered by objects, materials, and their interaction with light.
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