Illustration and Storytelling in Clip Studio Paint
Course final project
A course by Kim ROSELIER , Illustrator
About the final project for: Illustration and Storytelling in Clip Studio Paint
Illustration and Storytelling in Clip Studio Paint
“We have come to the end of the course! Thank you for following it. I hope it has been useful and that you have enjoyed discovering my digital illustration technique. I leave you below the main steps to follow to complete your project. This can be the illustration you already started with the exercises or you can create a new one! In any case, take care to document the different stages of your creation and add a brief explanation of what you did in each of them as well as your choices. Mood board and idea Immerse yourself in an atmosphere by creating a mood board or simply by looking for a photo that inspires you. Then put your ideas on paper and make some first sketches.






Partial transcription of the video
“Final project Thank you for taking this Domestika course with me. I hope you enjoyed discovering my universe. I was happy to share with you all my tricks and the techniques that I acquired during the years when I practiced gouache and watercolour. For me, an illustrator has a very particular style. It can be a pencil stroke, a humor or a very particular universe, but when we have our own style, you can recognize it among a thousand. The stronger and more particular your style, the more you will be asked for what you can do and for your paw. Follow your intuition. For example, in your sketch...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Illustration and Storytelling in Clip Studio Paint
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Category
Illustration -
Areas
Digital Illustration, Digital Painting, Traditional illustration

Kim ROSELIER
A course by Kim ROSELIER
Kim Roselier is an illustrator based in the south of France who specializes in digital painting. His creations are characterized by sharp, angular lines, with sparing details. This simplicity leaves a lot of room for narrative and graphic power.
Throughout his career, Kim has worked for magazines such as Capital, Usbek & Rica, Le Temps, and Les Echos, as well as Reporters Without Borders, Thierry Magnier editions, and Netflix.
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- Level: Beginner
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