Traditional Animation: Composition, Rhythm and Camera
Painted II
A course by Ezequiel Torres , Animator
About the video: Painted II
Overview
“We continue painting the details of the sea and leave the piece ready to go up to the networks.”
In this video lesson Ezequiel Torres addresses the topic: Painted II, which is part of the Domestika online course: Traditional Animation: Composition, Rhythm and Camera. Learn techniques and tricks to create smooth and original animation sequences.
Partial transcription of the video
“Well, now I have to paint now, then, the details of the sea Well and finally, I have left to paint the missiles, I have to make the palette and paint them. Well, here I already have everything painted, now what I have to do, is to select the colors that I really like for now they were all chosen very randomly, once you have those colors chosen, I will be able to go to the next stage. In order to select the colors, this option that shows you is good how will the render definitely come out and there I can adjust different values. Well, now we are going to see the export part, the first thing ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Traditional Animation: Composition, Rhythm and Camera
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Category
3D & Animation -
Software
Toon Boom Harmony -
Areas
2D Animation, Animation, Character Animation, Motion Graphics

Ezequiel Torres
A course by Ezequiel Torres
Ezequiel Torres has been working in the animation industry for over ten years. He started out doing editing work in Photoshop at a small studio, and, before long, he picked up some animation tricks in After Effects too. In 2011, he worked for Flamboyant Paradise, where he had the opportunity to learn from Tonio Quairiat and Javier Lourenço.
His career and experience culminated in him founding his own studio, Rudo, together with Pablo Roldán. For each commissioned piece, they strive to create animations that hook the viewer. In 2017, their video The Wolf went viral. The work that went into creating the dynamic shots for this video allowed Ezequiel to sharpen his vision of narrative shots, rhythm, and character emotion.
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