Traditional Animation: Composition, Rhythm and Camera
Camera flush with the floor
A course by Ezequiel Torres , Animator
About the video: Camera flush with the floor
Overview
“I will give a dynamic camera traveling exercise.”
In this video lesson Ezequiel Torres addresses the topic: Camera flush with the floor, which is part of the Domestika online course: Traditional Animation: Composition, Rhythm and Camera. Learn techniques and tricks to create smooth and original animation sequences.
Partial transcription of the video
“For this lesson will move the camera flush with the floor. We will do a "traveling" exercise to make dynamic shots. Let's do an exercise of "traveling" of the camera. The first thing we're going to do is ... ... draw the horizon line ... ... where we like the most. And let's pose a vanishing point. The vanishing point, in this case, we're going to put it in the center. And keep in mind that the bigger the cone we are, the more open these two lines are, closer we are to the floor. Suppose I do the opposite: I make some very ... ... closed lines, a very closed cone. What we are going to have ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Traditional Animation: Composition, Rhythm and Camera
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Category
3D & Animation -
Software
Toon Boom Harmony -
Areas
2D Animation, Animation, Character Animation, Motion Graphics
Ezequiel Torres
A course by Ezequiel Torres
Ezequiel Torres has been working in the animation industry for over ten years. He started out doing editing work in Photoshop at a small studio, and, before long, he picked up some animation tricks in After Effects too. In 2011, he worked for Flamboyant Paradise, where he had the opportunity to learn from Tonio Quairiat and Javier Lourenço.
His career and experience culminated in him founding his own studio, Rudo, together with Pablo Roldán. For each commissioned piece, they strive to create animations that hook the viewer. In 2017, their video The Wolf went viral. The work that went into creating the dynamic shots for this video allowed Ezequiel to sharpen his vision of narrative shots, rhythm, and character emotion.
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