Illustrated Travel Sketchbook: Recording Nature
Second page: more details in drawing 2
A course by Antonia Reyes Montealegre , Naturalist Illustrator
Joined May 2017
About the video: Second page: more details in drawing 2
Overview
“Now it's time to get the tones that I'm going to use to paint the flower and to get down to business to color it and get the final finish.”
In this video lesson Antonia Reyes Montealegre addresses the topic: Second page: more details in drawing 2, which is part of the Domestika online course: Illustrated Travel Sketchbook: Recording Nature. Learn how to represent animals and extraordinary places in your sketchbook by connecting with nature through illustration.
Partial transcription of the video
“Second page: more details in the drawing With the drip I am leaving a drop of water on top of each pill so that the watercolor begins to moisten. A couple of drops on the palette and I'm going to add this color, which I think will work for me. It is called neutral tone or "neutral tint" in English, and it's like a universal tone to darken. It serves a lot, it is quite a color as a header, so to speak. The colors that I am going to use as a base are this range of reds, which, as they come straight from the pill, they are hypersaturated. Since nature did not make this flower so bright, I'm go...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Illustrated Travel Sketchbook: Recording Nature
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Category
Illustration -
Areas
Drawing, Naturalistic Illustration, Pencil Drawing, Sketchbook, Watercolor Painting

Antonia Reyes Montealegre
A course by Antonia Reyes Montealegre
Antonia Reyes, or as some know her, Antonia Pajarito, defines herself as a naturalist illustrator. She has become an expert in depicting the native flora and fauna of Chile. Her relationship with nature always begins with exploration, then moves on to artistic interpretation from her studio. Her goal is to create illustrations that move viewers and show the beauty of the earth. Her method is entirely analog, using pencils and watercolors on paper.
Most of her projects are independent, as she is passionate about combining illustrations with experiences, workshops, excursions, etc. She shares her work and discoveries on social media and on her website, both of which have become her logbooks.
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