Product Photography for Jewelry & Small Objects
Selecting the Final Images 2
A course by Gabriela Silveira , Photographer
Joined October 2021
About the video: Selecting the Final Images 2
Overview
“Here I will continue to move through the selection process for the styled still life captures of individual and grouped objects. As I do this, notice how I keep my concept in mind: I'm looking for a crisp-edged, clean shot of the product to conform to the commercial nature of the brief. Let's get down to the nitty-gritty! ”
In this video lesson Gabriela Silveira addresses the topic: Selecting the Final Images 2, which is part of the Domestika online course: Product Photography for Jewelry & Small Objects. Explore still life photography to create a series of eye-catching images for clients, from the initial styling to the final edit.
Partial transcription of the video
“ Selecting the Final Images We have moved on to the last ones. Now let me look at those up close. What I'm looking for here is I'm making sure that no movement has been introduced anywhere, but also that I haven't moved anything on the sets that I shouldn't have and had somehow reflected back on my images. These are all the same, so it's all good. The only difference is this, so I made it a bit brighter. Now what I'll do is check the clipping of those images in the shadows and the highlights. This is what this little arrow here is. What clipping means is that it has lost any detail on the ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Product Photography for Jewelry & Small Objects
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Category
Photography & Video -
Software
Adobe Lightroom, Adobe Photoshop -
Areas
Commercial Photography, Digital Photography, E-commerce, Photography, Product Photography

Gabriela Silveira
A course by Gabriela Silveira
Gabriela Silveira is a Brazilian photographer specializing in digital content for jewelry, cosmetics, and homeware. Although she always enjoyed taking photographs, her real journey as a photographer began when she moved to Scotland at just 19. Though she touched on still life photography at university, she decided to pursue a career in fashion photography instead. Her job at a clothing brand led to her to photograph jewelry for e-commerce and eventually went freelance. Her relationship with Laboratory Perfume brought her full circle back to still life photography.
Nowadays, she uses a combination of the conceptual and theoretical skills she learned from her master’s with the experimental freestyle approach she got from art school, where she learned to step outside her comfort zone and tame her inner perfectionist. Her work explores themes like love, beauty, and death, with flowers and flesh often featuring heavily.
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