Design and animation of a human body in 3D
Illuminate the subject 3
A course by aeforia , Digital Artist
About the video: Illuminate the subject 3
Overview
“Now we're going to add Rims Lights. The Rims Lights allow you to better define the silhouette of the character, and also they add to the aesthetic level. You will also see how to place the light and play with its position, to have a clean line of color around the character.”
In this video lesson aeforia addresses the topic: Illuminate the subject 3, which is part of the Domestika online course: Design and animation of a human body in 3D. Learn 3D design and animation techniques and bring a surreal character to life through lighting and post-production..
Partial transcription of the video
“illuminate the subject Now we are going to put a color. For this light, I want a beige, but I don't want it to be as strong as what we have right now. I'll make sure the light isn't so bright, let it be just a little more subtle. So let's change that. So we click on the light icon here. In Texture, we add a color and so I want a beige, but a little darker so that the light is not so intense. I will change that right away. After like this. Then we will lower the value of the color. So we are in something like that. It's much less intense than what we had before. What I did was I lowered the ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Design and animation of a human body in 3D
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Category
3D & Animation -
Software
Adobe After Effects, Cinema 4D, OctaneRender -
Areas
3D, 3D Modeling

aeforia
A course by
Alexy Préfontaine, better known as Aeforia, is a visual artist based in Montreal, Canada. His work revolves around colors, balance and emotion. After studying electrical engineering, he obtained a degree in graphic design.
His clients include Opera Browser, Pantone, Fizz, Cirque du Soleil and Bershka, and he has collaborated with artists like Dillon Nathaniel, Yung Gravy, Haywyre, Jake Miller, Hologram, Kidswaste, Deathpact, among others.
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