Volume and Texture in Cinema 4D: Transform Objects
Presentation of the oSftware
A course by Marius Visual Arts , 3D Artist and Motion Designer
Joined September 2020
About the video: Presentation of the oSftware
Overview
“Before moving on to modeling, I want to introduce you to the Cinema 4D software, the main tools, and how I organize my workspace.”
In this video lesson Marius Visual Arts addresses the topic: Presentation of the oSftware, which is part of the Domestika online course: Volume and Texture in Cinema 4D: Transform Objects. Immerse yourself in playful experimentation by having fun modeling an original 3D object with Cinema 4D and OctaneRender.
Partial transcription of the video
“Presentation of the software We have finished the sketch. We will be able to move on to modeling. In this lesson, I will introduce you to the Cinema 4D software. We have therefore just opened the Cinema 4D software. It is a 3D creation software developed by a German company which is called Maxon and which allows modeling, texturing, animation and rendering of 3D objects. Note that Cinema 4D has been around since 1990 and there, suddenly, we are with the R21 version, the most up-to-date version being the R24. There are a multitude of 3D editing software or 3D universes, like Blender, Maya, 3...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Volume and Texture in Cinema 4D: Transform Objects
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Category
3D & Animation -
Software
Adobe Photoshop, Cinema 4D, OctaneRender -
Areas
3D, 3D Modeling

Marius Visual Arts
A course by Marius Visual Arts
Marius Longo is the head of Marius Visual Art studio, based in Lyon, and specializes in motion design and 3D modeling. His style is easily recognizable and based on retro objects from his childhood such as old , VOD cassette tapes, and colorful Lego bricks.
The studio has collaborated with many brands in the creation of animations and unusual 3D objects. Whether it's for clients like Anex, eToro, One Plus, Wilson, or EDF, the result is always amazing.
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