Screen Writing: The Step Outline Technique
Turn the story into a story
A course by Daniel Tubau , Writer and Director
About the video: Turn the story into a story
Overview
“The same story can be told in many ways, and that is why we must distinguish between history and story. The first thing we have to do is select what we want to tell. At the end of this lesson, your story will have become a first synopsis of your story with which you can make the outline of steps.”
In this video lesson Daniel Tubau addresses the topic: Turn the story into a story, which is part of the Domestika online course: Screen Writing: The Step Outline Technique. Learn to organize a script by mapping it out sequentially, and create audiovisual projects that captivate your audience.
Partial transcription of the video
“Turn the story into a story Now I will explain to you the difference between story and narrative. Many writers are not aware of the difference between story and story, and that makes his work sometimes absurdly complicated. To explain the difference, I will show you in a very simple way, thinking about the life of Napoleon. His story is 51 years of life full of adventures, love affairs, of battles, of wars, of disappointments and of absolutely incredible events. Napoleon was born in Corsica. Exactly the year in which he was born, Corsica became a French territory and he became French. He st...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Screen Writing: The Step Outline Technique
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Category
Photography & Video, Writing -
Areas
Creative Writing, Fiction Writing, Film, Film, Video & TV, Filmmaking, Narrative, Script, TV
Daniel Tubau
A course by Daniel Tubau
Daniel Tubau is a screenwriter, teacher, writer, and director. As a screenwriter, he has worked on television programs and series such as El Gran Juego de la Oca, El Informal, Mitos y Leyendas, Guardianes de la Historia, and many more. In the series Trilocos, an original idea by Emilio Aragón "Miliki," he was also showrunner for 130 programs.
He has published more than a dozen books, four of them about screenwriting: Las paradojas del guionista, La musa en el laboratorio, El espectador es el protagonista, and El guion del siglo 21. He is also a professor of screenwriting, directing, literature, and creativity in academies and universities such as SAE Institute in Mexico, Universidad de Lima in Peru, Escuela de Cine de Cuba EICTV, UASD in the Dominican Republic, Escuela de Cine ECAM, Universidad Nebrija, Universidad Rey Juan Carlos, and Universidad Carlos III, among others.
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- Level: Beginner
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