Screen Writing: The Step Outline Technique
Course final project
A course by Daniel Tubau , Writer and Director
About the final project for: Screen Writing: The Step Outline Technique
Screen Writing: The Step Outline Technique
“We come to the end of our story. I hope you have enjoyed the course a lot and that you can take advantage of everything you have learned to develop your own step schemes and scripts. Before we sign off, let's go over the key phases of creating your step outline. I would like you to briefly explain what you have done in each one and accompany the explanation with one or more images. The idea Think about the story or idea you want to tell. Apply the creative methods I have taught you to find it. In my case, I found inspiration in a news story.










Partial transcription of the video
“Final project As in any good scheme of steps or good script, we come to the end of the course. Surely you already have in your hands a good scheme of steps with which you can write a script safely. When writing your script, remember to think in the effects you want to cause, as in the step scheme. Check your script always facing your viewer and thinking about what you want to provoke, suspense, surprise, tension. I've told you how to find ideas, how to differentiate between story and narrative, how to overcome creative blocks and even how to do things wrong at certain times. I taught you tr...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Screen Writing: The Step Outline Technique
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Category
Photography & Video, Writing -
Areas
Creative Writing, Fiction Writing, Film, Film, Video & TV, Filmmaking, Narrative, Script, TV

Daniel Tubau
A course by Daniel Tubau
Daniel Tubau is a screenwriter, teacher, writer, and director. As a screenwriter, he has worked on television programs and series such as El Gran Juego de la Oca, El Informal, Mitos y Leyendas, Guardianes de la Historia, and many more. In the series Trilocos, an original idea by Emilio Aragón "Miliki," he was also showrunner for 130 programs.
He has published more than a dozen books, four of them about screenwriting: Las paradojas del guionista, La musa en el laboratorio, El espectador es el protagonista, and El guion del siglo 21. He is also a professor of screenwriting, directing, literature, and creativity in academies and universities such as SAE Institute in Mexico, Universidad de Lima in Peru, Escuela de Cine de Cuba EICTV, UASD in the Dominican Republic, Escuela de Cine ECAM, Universidad Nebrija, Universidad Rey Juan Carlos, and Universidad Carlos III, among others.
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