3D Modeling and Animation Techniques with Cinema 4D
Basic Rules for Smooth Transitions
A course by Federico Piccirillo , 3D Motion Designer
Joined August 2021
About the video: Basic Rules for Smooth Transitions
Overview
“Here I will continue to make small adjustments on Cinema 4D and better connect the two shots.”
In this video lesson Federico Piccirillo addresses the topic: Basic Rules for Smooth Transitions, which is part of the Domestika online course: 3D Modeling and Animation Techniques with Cinema 4D . Learn innovative techniques for modeling and animating 3D sculptures to make a Memphis-style GIF.
Partial transcription of the video
“Basic rules for transitions Now let's connect the two shots better by adding an animation in the first one. Maybe we can even try to anticipate the movement of the vertical camera a little ... so that we can have a little more time to realize that at this moment the torus is forming. We can also animate the rotation of this torus. Now I would like to reverse the positive value of these values and, instead of moving and changing curves, i can also use the mirror. Maybe I can even increase it a little more the height of the chamber, so as to follow the toroid more. Eventually, even add an ext...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: 3D Modeling and Animation Techniques with Cinema 4D
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Category
3D & Animation -
Software
Adobe After Effects, Cinema 4D, Redshift Render -
Areas
3D, 3D Animation, 3D Design, 3D Modeling

Federico Piccirillo
A course by Federico Piccirillo
Federico Piccirillo is a 3D motion designer with a long-standing passion for design, film, and photography. He studied graphic design and visual communication at the University of Florence, and later specialized in digital and 3D illustration.
After graduating, he spent three years working as a motion designer at a studio in Turin before making the leap to freelancer. Throughout his career, he's collaborated with clients like Nike, Apple, Google, AT&T, OPPO, and more.
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