The Art of Filming and Editing Documentaries
First assembly 2
A course by Juan Rayos , Photographer and Filmmaker
About the video: First assembly 2
Overview
“We continue working on the montage of the documentary, this time I will get to work with the sequence of the interview.”
In this video lesson Juan Rayos addresses the topic: First assembly 2, which is part of the Domestika online course: The Art of Filming and Editing Documentaries. Learn how to make a documentary on a small budget, from the initial idea to the final edit.
Partial transcription of the video
“Initial Editing For the interview sequence, it will be complicated with lots of cuts and many clips and it will be complex. I’ll use a new Timeline for just the interview. It’s an organizational choice that will help me to organize and avoid confusing all of the material with less chaos. Basically, I go to File, New Timeline. I’ll call it “Interview.” Here, I’ll just drop from the Interview-Shop folder again, all the interview material itself; I’ll add the resources later. We see here that’s it a lot of material. We have half an hour of interview, so we’ll have to work on it a lot and it's ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: The Art of Filming and Editing Documentaries
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Category
Photography & Video -
Software
DaVinci Resolve -
Areas
Film, Video & TV, Filmmaking, Video
Juan Rayos
A course by Juan Rayos
Juan Rayos is a photographer and filmmaker living in Madrid who has made a variety of documentaries on a range of topics like creative processes, urban culture, self-discovery, and travel as the path to self-improvement. He has also worked as an advertising producer making spots for brands like Zara, adidas, Ecoalf, and McDonald’s, as well as for institutions like the Reina Sofía Museum and the Royal Spanish Academy.
Juan's first feature-length documentary Endless Roads was broadcast in episodes on Vimeo and YouTube and racked up more than 11 million views and a Staff Pick. He followed it with Caballos Salvajes, Los primeros días, and La Sonrisa Verdadera, which was nominated at the Málaga Film Festival. He has also directed more experimental pieces and IN CINEMA, a series of video essays covering curious topics such as the use of circles, kisses, and pistols in the history of cinema.
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