Retro Illustration: from Traditional Pencils to Digital Tools
Colors and textures 4
A course by Alice Des , Illustrator
About the video: Colors and textures 4
Overview
“Now that all of my solids have been laid out, I'll try other color combinations, adding hue and saturation layers for each trial. From these combinations, I will come to modify the base colors according to what seems relevant to me.”
In this video lesson Alice Des addresses the topic: Colors and textures 4, which is part of the Domestika online course: Retro Illustration: from Traditional Pencils to Digital Tools. Let your creativity run wild by exploring Photoshop’s tools to create a retro and colorful illustration that reflects your style.
Partial transcription of the video
“Colors and textures Once we have laid our solids, I want to see a little if there are no other combinations that can work. There, I find that the blue of the cabin contrast a little strong with the orange of the sky. I'll see if there are any nuances I could add. For that, I'm going to click here on the adjustment layers. And I'm going to do a Hue / Saturation layer. There you are going to have a settings panel where you will be able to choose to completely change the tint of your illustration. And for that, it's very simple, just drag the very top of your layers. It changes the colors of t...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Retro Illustration: from Traditional Pencils to Digital Tools
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Category
Illustration -
Software
Adobe Photoshop -
Areas
Digital Drawing, Digital Illustration, Traditional illustration
Alice Des
A course by Alice Des
After working for four years as an illustrators' agent, Alice Des set herself up as an independent artist. She has worked for Clit Revolution, a web series available on France.tv Slash, and the Manuel d'Activisme Féministe, by the same authors. She collaborates with the press (L'Obs, Les Echos, Milk, Dada, Causette) and brands (Adobe, Petrossian, Nicolas, Cluizel, Arte), as well as with the Slow Galerie in Paris where her work is exhibited and sold.
As a socially involved artist, Alice likes to work for projects that make sense. Her graphic universe oscillates between retro aesthetics and modern subjects, spontaneous drawing and the will to simplify, and digital tools and traditional techniques.
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