Composition Design for Abstract Art
End detailing
A course by Hola Lou , Artist, Muralist, and Graphic Designer
About the video: End detailing
Overview
“At this stage, there may only be a few brushstrokes left to do, but it is possible that those brushstrokes are the ones that will help you detail the piece. In this lesson, I'll teach you how to take care of those final details.”
In this video lesson Hola Lou addresses the topic: End detailing, which is part of the Domestika online course: Composition Design for Abstract Art. Learn to conceptualize ideas by combining art and design to create unique pieces with markers, acrylic paint, and digital tools.
Partial transcription of the video
“Final Details We now have all our layers of paint, the colors look super saturated and very nice, and we have some details that we want to cover, especially with brushes like this one, which is very thin and straight and has super soft bristles. This will help us cover parts like this, for example. Let's get started. I'm a bit of a perfectionist when it comes to details. They really make a difference. I recommend taking your time because, although it seems finished, those tiny details do make a difference, so we have to take our time. They're very tiny details, but they'll make the piece lo...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Composition Design for Abstract Art
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Category
Design -
Areas
Design, Digital Design, Fine Arts, Graphic Design, Traditional illustration

Hola Lou
A course by Hola Lou
Hola Lou is a Mexican artist, muralist, and graphic designer. Characterized by a modern, minimalist style, her paintings and digital illustrations are a delicate balancing act between abstract memories, feelings, and music.
She enjoys experimenting with art in all its forms, from traditional mediums such as paint to creating physical and digital objects and even cryptoart. She has collaborated with many big-name brands including Apple, Samsung, Nike, Complex, Spotify, WWF, and LinkedIn.
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