Introduction to Photo Embroidery: Create Images with Texture
The setback and care
A course by Ofelia & Antelmo , Textile Art Workshop
About the video: The setback and care
Overview
“Next, we will see all the possibilities that there are upside down and the necessary care tips to consider before mounting your piece.”
In this video lesson Ofelia & Antelmo addresses the topic: The setback and care, which is part of the Domestika online course: Introduction to Photo Embroidery: Create Images with Texture . Learn to embroider photographs or paper images by hand using flat and raised stitches.
Partial transcription of the video
“The Back and Taking Care of Your Piece We have reached the final part of photo-embroidery, taking care of the back of the piece and signing it. I like to tell all my students that the back is a very important part of the piece. Whenever I make a piece, whether it's an embroidered photograph, a garment, or a textile work, I like to give a lot of prominence to the back. We have our three pieces that we made together. We'll see what each of the backs looks like, and you can see that they take very different forms, especially this one because you can clearly see the order of the lines of the sh...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Photo Embroidery: Create Images with Texture
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Category
Craft, Photography & Video -
Areas
DIY, Embroidery, Paper Craft, Photography, Textile Design

Ofelia & Antelmo
A course by Ofelia & Antelmo
Ofelia & Antelmo is a project created by Gabriela Martínez—designer and textile artist—in 2017 that started out as a contemporary textile art proposal presented in two formats that go hand in hand: textile art and wearable art.
Textile art is the starting point of Gabriela's process, in which she explores all her ideas for colors, textures, stitches, and effects, then seeks to bring them to life in handmade garments with wear-resistant finishes and stitches. Her main motivation is that quality prevails over quantity, and so she creates pieces that can be inherited as a form of protest at the speed at which the world moves today.
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