Lettering with Adobe Fresco: Create Tasteful Images with Words
Vector brush 2
A course by Nubia Navarro (nubikini) , Lettering Artist
Joined March 2016
Joined March 2016
About the video: Vector brush 2
Overview
“TXT P”
In this video lesson Nubia Navarro (nubikini) addresses the topic: Vector brush 2, which is part of the Domestika online course: Lettering with Adobe Fresco: Create Tasteful Images with Words. Draw typographic compositions full of exquisite colors and textures inspired by food.
Partial transcription of the video
“Vector brush Now we will create a new layer to go to start our fund. Deep down I could choose this blue. We will make a square shape. I fill it with vector or pixel. Here I will fill it with vector. I go down and create a new layer to blur this background a bit and that when printing it does not look like a block, but more stylized. Then we will go to the Pixel Brushes and in Dry Media I select the Rough Pencil and in the new layer that I have I start to border a little so that this edge is a little calmer, be a little more blurred and it is not so rigid, like the square that we already mad...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Lettering with Adobe Fresco: Create Tasteful Images with Words
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Category
Calligraphy & Typography -
Software
Adobe Fresco -
Areas
3D Lettering, Digital Lettering, Lettering
Nubia Navarro (nubikini)
A course by Nubia Navarro (nubikini)
Nubia Navarro is a Venezuelan graphic designer living in Bogotá, Colombia who loves typography and lettering and also likes to do photography for fun. She has more than five years of experience creating lettering compositions and content for social media and has worked for major brands such as Facebook, Marriott, adidas, Samsung, Coca-Cola, and UNICEF.
Nubia enjoys sharing her knowledge with people who are equally passionate about calligraphy. She is also a firm believer that letters have the power to change both brands and lives, and when combined with music, nothing can go wrong.
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