Embroidery Techniques: Illustrating with Needle and Thread
Interlaced points 2
A course by Yolanda Andrés , Designer, Craft Artist, and Embroiderer
About the video: Interlaced points 2
Overview
“The second part”
In this video lesson Yolanda Andrés addresses the topic: Interlaced points 2, which is part of the Domestika online course: Embroidery Techniques: Illustrating with Needle and Thread. Learn to illustrate any image with a variety of embroidery techniques.
Partial transcription of the video
“Well and now we are going to get with the pink nib and tone Which is the same as what we have done before Only by changing the tones We start here Well I'm going to change color here I'm going to put the light pink I'm going to start here And in this pen I will also do the same as I did in the other A nib that is also being released Nor should we abuse things As well as a little special but good Two nibs that come loose I do these things, but, occasionally, a little thing, as well as That is out of place, that has its grace Do not abuse those things And here we have the pink nib Well, to co...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Embroidery Techniques: Illustrating with Needle and Thread
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Category
Craft -
Areas
Embroidery, Textile Design

Yolanda Andrés
A course by Yolanda Andrés
Yolanda Andrés studied fine art and graphic design at the Universidad de Salamanca, as well as painting at the Académie Royale des Beaux-Arts de Bruxelles in Belgium. She also obtained a master’s in packaging from the Instituto Europeo di Design (IED) in Madrid.
Before focusing exclusively on embroidery, she served as art director for a communication agency for more than a decade. She currently runs her own workshop in the Lavapiés neighborhood of Madrid where she works on pieces for brands and institutions like Carolina Herrera, Zubi, and the Thyssen-Bornemisza Museum shop. Additionally, Yolanda teaches classes at IED and the Escuela Superior de Diseño (ESD) in Madrid.
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- Level: Intermediate
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