Introduction to Film Direction
How to structure your post production 2
A course by César Pesquera , Director and Visual Artist
About the video: How to structure your post production 2
Overview
“We continue with the post-production of the project, in this case with the introduction of the music that closes the scene and with a few touches of color.”
In this video lesson César Pesquera addresses the topic: How to structure your post production 2, which is part of the Domestika online course: Introduction to Film Direction. Learn how to translate your vision into audiovisuals for the big screen and direct your own scenes.
Partial transcription of the video
“How to structure your post-production Music is essential when it comes to setting the tone for your movie. Maybe, depending on the type of project, you are interested, as we have already seen, to edit about the music or add it "a posteriori". In any case, I recommend keeping an open mind. and have various music options to test on editing. Many times you can get surprises. In my case, I had two reference songs in the treatment. I now have a setup that works for me. As we had already discussed, there is no music throughout the scene because I want to be focused on the dialogues, on the conver...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Film Direction
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Category
Photography & Video -
Areas
Film, Film, Video & TV, Lighting Design
César Pesquera
A course by César Pesquera
César Pesquera lives to tell exciting stories with a solid conceptual framework and room for visual experimentation. As a visual artist and director, he currently dedicates himself to filmmaking, directing music videos, developing advertising campaigns, and writing.
In his most recent personal projects Tramuntana and Santa Ana, he explores the crossover between visual experimentation and documentary. Both pieces were selected at festivals such as Cíclope, SXSW, Sitges, Cannes, Slamdance, and BFI London Film Festival, among others. In addition, his work has been recognized with several Laus awards, a Gold at ADC*E, and second prize at YDA Cannes. In 2018, Santa Ana received an Honorable Mention for Best Documentary at Salute Your Shorts festival in Los Angeles.
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