Advanced Techniques for Vectorial Illustration
Course final project
A course by Rafahu , Creative Director, Illustrator, and Animator
About the final project for: Advanced Techniques for Vectorial Illustration
Vector illustration advanced techniques
“We have reached the end of this course, it has been incredible to be able to share my process of vector illustration as well as to teach you some tools and effects that from now on you can implement in all your illustrations, remember that practice makes perfect. I would love to see you publish your final project and remember that any questions can be resolved in the forum. ”
Partial transcription of the video
“Thank you very much for taking this course. Next. we will summarize everything we've covered throughout it. We started by introducing who I am and what inspires me. Then. we explored advanced tools in Illustrator. Using brushes and blends. we crafted our Mini-Kaiju Armada with 3D objects and blending techniques. We also learned to modify these objects. adding color and details to enhance their appearance. enriching our Later. we learned about lighting and color. I explained the proper use of vector gradients and how to use them for detailed finishes. We learned about advanced textures in Il...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Advanced Techniques for Vectorial Illustration
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Category
Illustration -
Software
Adobe Illustrator, Adobe Photoshop -
Areas
Character Design, Design, Digital Illustration

Rafahu
A course by Rafahu
Rafahu is an art director, illustrator, and animator based in Mexico. He has worked in internationally renowned agencies such as Grupo W, Element Studios, and Leo Burnett for brands such as Rexona, Jose Cuervo, Random House, and Nike, among others, obtaining international recognition at Cannes Lions, El Sol, and The One Show.
In addition to his career as an art director, he fulfills his passion for illustration by developing personal projects. He also collaborates on publications such as Picnic, Quo, and La Peste and holds exhibitions throughout Mexico, such as Puro Machín, The End, and 5 Diablos en la ciudad.
Although he really likes digital illustration, he does not minimize the importance of traditional techniques. Another one of his biggest passions is animation, which he has combined with illustration for projects like Nodoodles and The Psychotoons, among others.
He has always considered himself a huge geek and fan of anime, comics, horror literature, B movies, and fantasy. "I think we should look for inspiration not only in design, but in everything that surrounds us. A Lovecraft horror story can be a great source of inspiration and paranoia," he admits. He wants his illustrations to tell a story. He likes to think that they are real worlds full of details and meanings that can be revealed upon a second reading.
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