Design and Conceptualization of a Chair
The importance of workshop work
A course by Christian Vivanco , Industrial Designer
Joined April 2009
About the video: The importance of workshop work
Overview
“In this lesson, I will share with you how was the process of defining the details, which later became the added value of Camelia. ”
In this video lesson Christian Vivanco addresses the topic: The importance of workshop work, which is part of the Domestika online course: Design and Conceptualization of a Chair. Learn the secrets behind the design of a functional and aesthetically pleasing chair.
Partial transcription of the video
“The importance of work in the workshop In this lesson I will share the process with you behind the production of the first Camellia prototype, which was made in an artisan workshop in Tequisquiapan. Let's go. Rattan, wicker, liana, palm and seaweed are some of the materials that artisans work that make the Camelia chair. Each of them has different presentations with variables for color, hardness, length, diameter, etc. For the Camelia chair we chose, due to its characteristics, the rattan of 30 millimeters in diameter, young, flexible, but resistant. This rattan makes up most of the Camelli...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Design and Conceptualization of a Chair
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Category
Design -
Areas
Furniture Design & Making, Industrial Design, Product Design
Christian Vivanco
A course by Christian Vivanco
Christian Vivanco is an Industrial Designer specialized in furniture and lighting design and his work has been exhibited in the most important design capitals of the world, such as the Salone del Mobile in Milan, Maison & Objet in Paris, I.C.F.F. in New York, Tokyo Design Week, and the London Design Museum, among others.
During his 10-year professional career, he has had the opportunity to participate in projects in Colombia, Chile, Peru, Brazil, Argentina, Spain, and the United States.
In 2018 he was invited by WeWork to curate and design the furniture used in their offices in Mexico and Latin America, and had the opportunity to design pieces of furniture that today are used in more than 40 buildings in Mexico, Colombia, Brazil, Argentina, Peru, Chile, and Costa Rica.
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