Hand-Drawn Typographic Portrait
Course final project
A course by Sarah King , Illustrator
About the final project for: Hand-Drawn Typographic Portrait
Hand-Drawn Typographic Portrait
“This is it, we have reached the end of the course. I hope you enjoyed the lessons and that you are ready to do your own illustration. I really encourage you to use all these techniques I have shared in many other ways. I hope you will enjoy the process and that you will get as far as you want to. Here are some of the drawings I have created using this technique.
Partial transcription of the video
“FINAL PROJECT Now we've reached the end of the course, we're going to summarize everything we've done. First, we went through all the materials needed for the course. Then we did some exercises and experimentation. We also researched the text and the image that we would use in the final illustration. We then took the image into Photoshop to do some editing to use it for our final project. Then we printed the image and transformed it into a numbered template. When the template was ready we started drawing our typography based on the text that we had researched. We also did some illustration ...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Hand-Drawn Typographic Portrait
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Category
Illustration -
Software
Adobe Photoshop -
Areas
Digital Illustration, Traditional illustration, Typography
Sarah King
A course by Sarah King
Ever since she was a young child, Sarah King has been exposed to the world of prose, words, and design, growing up with a writer and an architect. After graduating in graphic design at the University of Brighton in 2008, Sarah took these two passions even further, illustrating with words became her iconic style, which led her to work for the New York Times, National Geographic, Vice, The Guardian, the SFMOMA museum and much more.
Today, Sarah shares her time between the mountain and the sea in British Columbia (Canada), combining her passion for nature and illustrating with words into her work. Constantly exploring new ways to transmit her art, Sarah also illustrates on different supports such as snowboards, wood, and textiles.
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