Narrative Techniques for Comics with Soul
Course final project
A course by Cristina Durán & Miguel Á. Giner Bou , 2019 National Comic Award (Spain)
Joined June 2018
About the final project for: Narrative Techniques for Comics with Soul
Narrative Techniques for Comics with Soul
“Writing a comic is not starting to draw without having thought well what you are going to draw. It has a very important previous work process that we must take into account. The first thing is to work the information well: to document, think, read, debate, listen ... They are essential parts to know where we want our story to go. Build on your own experiences and your own experiences to create a personal story. Your way of seeing life will always be reflected in your work. Remember to start with readings and viewing of movies, series and / or documentaries that deal with the same topic as your story. Remember to discuss and share with friends and / or family. Now share your final project with all of us by clicking on "Create your project". Remember to share both the final result of your comic and the steps that have led you to it. It would be great if you showed a picture of each step and added a brief explanation about what you have done in each one. Next, we are going to review the phases of the project that we want you to show us with images and / or words when you share it. Idea and concept As we have seen in Unit 2, we first have to define the controlling idea of the story, the idea around which the entire narrative revolves. Likewise, we also define the concept with which we work, with what feeling or idea we want our reader to stay once the comic is finished. Our concept was to treat the COVID-19 pandemic from a different point of view, giving a vision of how families who had a context of someone with functional diversity lived it. The storyline or synopsis was "A doctor in the middle of the pandemic has to pick up a girl with functional diversity who has health problems." Plot Next, you have to work on the written script and the plot to shape the narrative structure of the story.













Partial transcription of the video
“Final project At the end of the course, we will make a summary. First we will talk to you about La Grúa Estudio and then about our influences. Then we look for inspiration in the storyline and we developed the project bible. We understood how the comic It has served as a tool for social action and denunciation. We explain how visual metaphors work, the narrative structure and the six questions. We go from the script to the plot and from the plot to the storyboard. In the final art we made a sketch and we saw two ways of inking, handmade and digital. Finally, we apply the color and we learne...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Narrative Techniques for Comics with Soul
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Category
Illustration -
Areas
Comic, Narrative, Storyboard, Traditional illustration

Cristina Durán & Miguel Á. Giner Bou
A course by Cristina Durán & Miguel Á. Giner Bou
Cristina Durán and Miguel Ángel Giner, cofounders of LaGRÚAestudio have spent more than thirty years developing stories with social purpose in their comics. They are the illustrators and authors of comics such as Una posibilidad (Ed. Astiberri) and El día 3 (Ed. Astiberri), made in collaboration with journalist Laura Ballester. They have received several awards, including the 2019 National Comic Award.
Among their clients are several publishing houses such as Andana, Bromera, and Bullent, advertising agencies and media outlets such as El País and Diari Ara, brands such as Amstel, AVACU (Asociación Valenciana de Consumidores y Usuarios), the Polytechnic University of Valencia, foundations such as Cultura en Vena, and public entities such as the City Council of Valencia, the Generalitat Valenciana, and the Ministry of Equality.
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